There are some extracts from the sequence WINDSUCKERS & ONSETTERS: SONNOTS for Griffiths, by Peter Manson and Mendoza, in the new issue 5 of para·text magazine, edited by Laura Elliott an Angus Sinclair. Other contributors include Rowan Evans, Laura Elliott, Jeremy Allan Hawkins, Sarah Hayden, Steven Hitchins, nick-e melville, Drew Milne, Jessa Mockridge and Richard Skelton. £6.50 + postage. Many thanks to the editors. The complete WINDSUCKERS & ONSETTERS sequence is due soon as a book from MATERIALS.
I have two poems, “1/ still life in the yolk” and “14.5.17 (for John Hall)” in volume 9, issue 1 of Causeway / Cabhsair, a magazine edited from the University of Aberdeen by Oliver Tong and Lily Greenall. The issue also includes work by David Wheatley, Sheena Blackhall, Helen McClory, Kenneth Steven, Deborah Moffatt and many others. Thanks to the editors.
I’ve edited a pamphlet anthology of current Scottish poetry for Martin Corless-Smith’s FREE POETRY imprint in Boise, Idaho. The poets included are Dorothy Alexander, Christina Chalmers, Calum Gardner, Katy Hastie, Colin Herd, MacGillivray, nick-e melville, Iain Morrison, Nisha Ramayya and Kathrine Sowerby. The publisher encourages the reproduction of this chapbook and its free distribution, ad infinitum.
Here are electronic copies of the anthology files:
Free Poetry Scotland Anthology (458k pdf) [edited 26 March: some formatting improved]
Free Poetry Scotland Cover (52k pdf) [edited 15 March: the cover link should work now!]
Thanks to Martin, and to Colin Johnson and Tessy Ward for their work on the anthology.
Stroked by success
and in the narrowest of gloves,
Édouard Dujardin requests
that around nine o’clock, the third
of March, not even your shadow endorsed
by a coat of diverse spitballs!
you visit, eleven, Chausée
D’Antin, his poetry bookshop:
THE REVIEW which is bruited
INDEPENDENT, Sir, is holding
a housewarming golden as
the gas in its elegant premises.
For a baptism
If, subtle one, the little nose
dazzling, drowned in such
candour of guessed-at laughter
as this lace half-opens upon,
the filial instinct grabbed you,
prideful, but the second one
to resemble in her low-key
wit your blonde grandmother,
keep safe, from baptismal fonts,
that it might volatilise
miraculously into words
native and clear as a breeze,
the grain of salt on your tongue.
from Paul Valéry
When the sky the colour of a cheek
at last allows eyes to cherish it
and when at the gilded point of dying
among roses time takes place,
before one mute with pleasure
enchained by such a painting,
there dances a Shade in a trailing girdle
the evening comes close to catching.
This girdle wandering
in aerial breath
makes the last link tremble
between my silence and this world…
Absent, present… I am truly alone,
and downcast, o sweet-talking shroud.