I have four poems (from the sequence self-avoiding space-filling curve) in the first issue of the online journal Trilobite, edited by Paul Vogel and designed by Samuel Helgeson. Thanks to both. The other contributors are Drew Boston, cris cheek, Tom Hibbard, Alice Ladrick, Jonny Lohr, Karen Pava Randall and Giorgia Pavlidou.
I have work (“Disappointing footnotes to Adjunct”, “Three sonnets from the Italian of John Milton”, and “two poems from self-avoiding space-filling curve”) in the first issue of the journal Mop Mop, edited by Cato van Schaik and Phil Baber in Amsterdam, and designed by Elisabeth Rafstedt and Johanna Ehde of Rietlanden Women’s Office. It also includes work by Amy De’Ath, Michael Tedja, Ryan Dobran, Anne Vegter (translated by Astrid Alben), Verity Spott and Maria Barnas. You need to email them to buy a copy: it’s €12,50 + post, and the address can be found here: https://perdu.nl/nl/boekhandel/
I have a translation of Mallarmé’s prose text “Or” (“Gold”) in COIN, one of four pamphlets in the FOUR LETTER WORD PROJECT (HEAT – RENT – GRUB – COIN) put together by nicky melville and Interview Room 11 in Edinburgh. It includes work by Rob Kiely, Vicky Sparrow, Calum Rodger, Gloria Dawson, Julie Johnstone, Harry Josephine Giles, Kirsty Dunlop and many others, with all proceeds from sales going to XR Glasgow, Living Rent, Empty Kitchens Full Hearts and The Autonomous Centre Edinburgh. https://interviewroom-11.square.site/
I have a short video, “Indonesian Fishing Chant” in episode one of the Pommel series of video screenings, hosted on Youtube by Nottingham Contemporary. Other contributors include Dylan Nyoukis & Karen Constance, Yeah You, Sophie Yung, LDSN, Charmaine Lee, Stephen Crowe and Russell Walker. Thanks to Matthew Hamblin, Stephen Crowe, Lila Matsumoto and the University of Nottingham
A wonky gif made from eight copies of the bookplate for the 1876 first edition of Stéphane Mallarmé’s “L’après-midi d’un faune”, taken from photos in various online auction catalogues. Manet hand-tinted his own zincograph illustration, and the animation brings out the variation in his brushwork.
The Little Sparta Trust has published an eBook based on the blog posts I made during my Sharing Little Sparta residency in 2016. The eBook can be read online at ISSUU, and also downloaded as a (large) pdf file. Many thanks to Lynne Maclagan, George Gilliland, and to the Estate of Ian Hamilton Finlay.
I have four poems in the new issue 14 of Junction Box, along with work by Ralph Hawkins, Fran Lock, Nerys Williams, Ian Davidson, Harry Gilonis, Khaled Hakim, MK Chavez, Cris Cheek, Peter Hughes, Carrie Etter and Steph Goodger. Many thanks to Lyndon Davies.
from Leconte de Lisle
Woods dear to the rock-doves, weep, soft greenery,
and you, bright spring, and you, cool pathways;
weep, o wild heather,
dog rose and holly bush!
The dawn that is hailed by the whistling curlew
suspends a fiery pearl on the grass-blade;
cloud is on the rosy mountain;
the moorhen swims in the blue lake.
Weep, o curlew; weep, white daybreak;
moan, blue lake, moorhens, red moorcocks,
you who are silvered and gilded by the cloud,
o clear hillsides, weep!
Spring, king garlanded by the green year,
o young God, weep! o ripening Summer,
cut your crowned tresses;
and weep, blushing Autumn!
Anguish of loving breaks a faithful heart.
Earth and sky, weep! Oh! how I loved her!
Dear land, speak no more of her:
Nanny will never return!
From “Chansons écossaises”, in Poèmes antiques (1852). Based on “My Nannie’s Awa‘” by Robert Burns.